I’m a very frugal, even miserly, person. I still owe my brother about $9 for some Chinese takeout we had last week; he hasn’t crossed the hall to collect, though, so I’ll wait as long as possible to pay up. Since I don’t have a job, I hardly ever buy anything. I can’t tell you the last time I bought clothes, and my last biggest purchases were birthday presents for my siblings—in February and August. Come to think of it, when my sister received her PhD in May, I also gifted her a huge chunk of money (relatively speaking), to spend expressly at an upscale movie theater in her city. Ordinarily, this would not be newsworthy, but just last week I made an online purchase at a mega discounter that shall remain nameless, splurging $28.22 on three books. I finally cashed in a coupon worth $10 in merchandise that I paid $5 for back in March. I was both excited to receive the books (which even arrived two days early!) and relieved to have used the coupon, finally.
I love to read, and I love to read about books and publishing. Everyday I trawl around The New York Times and other news outlets I follow on Twitter. But when it comes to literature and full-length works of non-fiction, I go through periods of frenzied reading followed by long dry spells. While I lived in New York from August 2009 to November 2011, I was a voracious reader, consuming at least one book a week, as I quickly grew accustomed to reading on the subway as I traveled throughout the city: whether it was historical and theoretical articles on film for school, supplementary materials I borrowed from the library, or novels both classic and contemporary (and somewhere in between).
Additionally, I have always loved the tangibility of books, the texture of pages (especially the thrill of turning them), the smell of the ink, and, let’s face it, the look of them filed and stacked on the shelf. This is why it came as a surprise to everyone—not least of all, myself—that I ordered an economical e-reader device last fall, believing it would be easier to build a collection of classic literature and to travel the world with my personal library (or at least a portion of it, anyway) if I used such a thing. That was back when I thought I was going to move abroad to teach English as a Foreign Language, but I have yet to make good on that goal. Unfortunately, my e-reader purchase coincided with my move back home to the suburbs, where I lack a regular commute that so easily affords me a healthy diet of reading. Long story short: my e-reader has sat unused for months. I only just got around to finishing Edith Wharton’s The Age of Innocence on it, spurred by the expectation of my newest acquisitions that were to arrive in the mail at any minute.
Last week, I bought Jeffrey Eugenides’s latest novel (new in paperback) The Marriage Plot; the graphic novel Unterzakhn by Leela Corman; and the memoir/feminist manifesto How to Be a Woman by Caitlin Moran. The title I’ve anticipated the most is The Marriage Plot because Eugenides’s previous effort, the Pulitzer Prize-winning Middlesex, is definitely one of my all-time favorites. In fact, I had originally planned to buy The Marriage Plot for the e-reader (the book and the device both came out around the same time), but I decided to wait until its paperback version was published because I wanted a tangible copy. I didn’t know it was going to take ten months to print! (For the record, I don’t like reading hardcovers, as they are too difficult for me to hold.)
I had heard of Unterzakhn due to a mailing from the Lower East Side Tenement Museum, which I believe was hosting a reading and/or discussion that I inevitably couldn’t attend. I have never read a graphic novel—nor even a comic book—before, and so I have resolved to remedy this situation with a story about twin Jewish girls coming-of-age on the LES and taking wildly different life trajectories at the dawn of the 20th century. When the books arrived in the mail, my dad asked about the contents of the brown box. After I listed this title and its medium, he balked, “A graphic novel?! You?!” Then I summed up Unterzakhn‘s premise for him and said, “This is the kind of story that will make me want to read a graphic novel!” That shut him up.
Last, but not least, I now have How to Be a Woman. Assuming it would constitute lighter fare and, well, be funny, I started with this one first, and I’m now about halfway through. I know it’s a bit old, as it has already been a hit in Moran’s native Britain for over a year, but I only learned about it two months ago when Sarah Lyall profiled the journalist-turned-memoirist in The New York Times. It’s an irresistible idea: a funny and prominent personality has written a treatise on how women (and men!) need to recognize that they are or at least should be feminists. With me, she’s preaching to the choir, but I was intrigued enough by Lyall’s write-up, I had to pick it up.
Since I have read the prologue and the first eight chapters, I can say that, thankfully, it has gradually morphed into a more balanced memoir/manifesto. That is to say, in the beginning, I was a little disappointed that Moran dedicated more words to recounting the often humiliating scenes from her adolescence than to forming a feminist argument based around them. For example, I found it disheartening that her chapter on menstruation dovetails into a long discussion of masturbation, as she recalls her exploring her burgeoning sexuality with great abandon after the onset of her first period. The last few pages of the chapter are devoted to cursing the porn industry for failing to capture real desire between sexual performers on-camera. I disagree with her point to an extent, but more than this, I didn’t understand how adjusting to your period is ultimately about what’s wrong with pornography (nothing inherent, she says, it’s just messed up in terms of business practices and products). Strangely, though, now that she’s making the feminist talking points more a part of her story, How to Be a Woman is becoming less and less funny.
Oh, but to be reading again is grand. I hope this period of intensity lasts a long while. I’ve got so much I need to get through, books just waiting to be picked up after months of laying dormant on the shelf. Stuff like Orlando by Virginia Woolf, Misfortune by Wesley Stace (notice a pattern yet?), and Vaclav & Lena by Haley Tanner. Nothing but reading a good book can make you feel alive, aware of the world and your place within it. Right?